If nothing is real, there are only possibilities.
這件由11枚相異材質的無機石塊、隔以雙面鏡的藝術裝置 Trans-For-Men 11 (Fibonacci)，排列延伸於長型場域，在虛實之間無聲地對話，投擲波蘭當代藝術家 Alicja Kwade 對於時空拆解、與重新詮釋現實的想像。Kwade 以物件材質為媒介、公式理論為脈絡，將其對有形世界的反思及未知，重塑出各種時間和空間的可能性。凌駕精神感受於物質之上，作品潛意識地鼓勵觀者擁抱內心的自由，交融理性與感性，構築各自主觀意識裡全新的視角。
This art installation Trans-For-Men 11 (Fibonacci), consisting of 11 inorganic stones of different materials and separated by double-sided mirrors, is arranged and extended in a long plain field. Shuttles silent dialogue between reality and abstract, Polish contemporary artist Alicja Kwade applied his imagination of dismantling time and reinterpreting space through the artwork. She takes objects as medium, formula theory as context, to reshape various possibilities of his self-reflection to the tangible world and the unknown. Overriding spirit and feeling above the concrete, this artwork subconsciously encourages viewers to embrace their inner freedom, blending rationality and sensibility, to construct a new perspective in a subjective consciousness.
Alicja Kwade 認為之於物件，沒有所謂真正獨立或中性的認知；非強迫性地傳達訊息或侷限於既定認知，而是藉作品開啟眾人更大程度的理解，接受差異是不可抗力的存在。呼應藝術家精準明晰的表現手法：數字的抽象推演、理論凝結詩意的具象載體，主視覺設計從反射現實的鏡面作為出發點，靠著象徵中介的邊緣往兩側延伸，反射、重複、照應，模擬出不同角度的世界。
Alicja Kwade believes that there is no independence or neutrality for objects. Not to convey the message compulsively or confined to the established cognition, but to open up the public a greater degree of understanding, accepting that the difference is the existence of force majeure. Echoing artist's precise and clear expression technique, the concept of main visual of the exhibition is inspired by the reflection of mirror, extending the text to both sides to simulate the different perspectives of reviewing the world.
WINSING ART PLACE
Art DirectorLeo Huang